George Eliot
England
Expansive and analytical, the narrator pausing to reason alongside the reader: sympathy delivered through patient, almost scientific attention to motive.
Mary Ann Evans lost her Evangelical faith in her twenties, translating Strauss and Feuerbach's skeptical theology into English and editing the radical Westminster Review in a London literary world normally closed to women. In 1854 she began an openly unmarried life with the critic George Henry Lewes, already married to someone else: a scandal that cost her family's speaking terms but gave her, she said, the settled happiness to finally write fiction.
She didn't publish a novel until thirty-seven, under a male pseudonym chosen partly to escape assumptions about 'women's writing.' Middlemarch (1871–72), her panoramic study of a provincial town, is generally read as the summit of the form in English. Lewes died in 1878; she married a much younger friend, John Cross, in 1880 and died within months.
Lines of influence
Their books in the atlas
- 1860
The Mill on the FlossLvl 5bildungsroman - 1872
MiddlemarchLvl 6family saga
Meanwhile, elsewhere
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1810–1865Elizabeth GaskellEnglandshared movement: The Victorian Novel · kindred genres: bildungsroman, tragedy · same region & era