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Autofiction and the I

Six writers turn their own lives into material and refuse to call it memoir. The self gets stranger with each step, from a daughter cataloguing her father's life to a narrator who barely speaks at all.

  1. Cover of A Man's Place
    A Man's Place

    Annie Ernaux · 1983

    Lvl 3112pp

    Ernaux's compact, unsentimental portrait of her father sets the template for everything that follows: no metaphor, no filler.

  2. Cover of Family Lexicon
    Family Lexicon

    Natalia Ginzburg · 1963

    Lvl 4224pp

    Ginzburg tells her whole family's history through the phrases they repeated: a household rebuilt out of its own private language.

  3. Cover of The Copenhagen Trilogy
    The Copenhagen Trilogy

    Tove Ditlevsen · 1971

    Lvl 4384pp

    Ditlevsen's childhood-to-addiction memoir reads like a novel because she never once reaches for a redemptive ending.

  4. Cover of My Struggle
    My Struggle

    Karl Ove Knausgaard · 2009

    Lvl 5440pp

    Knausgaard blows the form up to six volumes and four hundred pages per breath: autofiction's maximalist extreme, diary as epic.

  5. Cover of The Years
    The Years

    Annie Ernaux · 2008

    Lvl 6232pp

    Ernaux returns and swaps 'I' for 'she' and 'we': one woman's life told as the collective memory of a generation.

  6. Cover of Outline
    Outline

    Rachel Cusk · 2014

    Lvl 6249pp

    Cusk's narrator barely speaks: she just listens, and the self assembles itself in the negative space of other people's stories.